Showing posts with label language. Show all posts
Showing posts with label language. Show all posts

Saturday, December 12, 2020

Two thoughts for those beginning to study the Biblical languages

It is very, very hard when you begin learning Biblical languages (Hebrew, Aramaic, or Greek) not to talk about them any time you get around the Bible. The urge is innocent. "The word in the Greek is epistrepho which means . . . ." All of my teachers warned their students against being too ready with "in the Hebrew" etc. Why? Three reasons. First, for general audiences, it rarely adds anything to understanding that isn't better done by good teaching. I have never used a Greek word in a sermon where it added more than thinking ahead of time of what I want to say and saying it--in other words: good planning. Second, using the language in this way suggests a knowledge barrier your hearer cannot cross but you can, which subtly restricts only the word of God to you. Now, there is an element of truth to this, but it is about finding the right balance. The right use of responsible knowing is the creation of clear understanding--not making oneself look clever. And this is really hard, because you make the effort to learn. Three, aside from making you look clever, as I said, there is a suggestion that the Bible hasn't really been made available to regular believers. (A denial of its sufficiency.) This is not a doubt you want to seed in human hearts, so be careful.

That said, if your audience is knowledgeable, by all means let your nerd flag fly. OR if someone asks you (it will happen), "What is this verb in Greek?" Then you can answer. The one who asks deserves an answer in kind. Finally, there are times in writing when it is useful and important to use the original languages.

I am not perfect. There are times I cross a line. It is innocently easy to do. You will too. But at least keep the line in mind.

***

When you step through the door into the languages, your relationship with the Bible changes. One change is that you realize there is no such thing as a translation that carries all of the meaning from the source language to the target language. Every translation--no matter how much honest work goes into it--is an earnest negotiation. Scraps are left on the floor.

Two parts of the doctrine of scripture bear on this directly. One is inspiration. Inspiration says that the words of distinct, historical human beings were also, by the Spirit, the words of God. The second is sufficiency. The scriptures sufficiently teach all that is required for life and salvation. A translation can do this very well and support the work of making disciples, of preaching, of private study in whatever culture it serves. We are all products of this fact.

Nevertheless, it is not wrong to say that those who can should be encouraged to put aside (not throw away) familiar translations, to take courage, and to begin with the languages. As a teacher of mine once said, "To read the Bible in translation is to kiss one's spouse through the veil." Or, another: Chapman's Homer is good; Homer's Homer is better.

We received the Bible as members of a community who read, learn, and inwardly digest it. And our community deeply needs people who can say, "The Greek word there is apokalupsis which means an unveiling of what was hidden."

Tuesday, November 03, 2015

A Note From Class: We Are Made in the Image of the God Who Speaks

Dear friends,

Thinking about language has left us in quite the pickle.

We know that language is messy. It struggles to describe human experiences and ideas. It is unfit to describe God. How, then can we talk about or to God? Can we trust anyone who says that they speak for God? And does using language about God make us idolators?

It seems like we've tied ourselves up in a Gordian knot. We are locked in a large and lonely room. (Or a very small and private room if we think of the room of our minds, the movie between our ears.)

Let me pause here for a moment.

I can't exaggerate how true it is that this large and lonely room is the situation of our world. Western civilization, our civilization, has been locked inside for hundreds of years. I'm not exaggerating or being dramatic.

You see, it denies everything that cannot be measured. With a ruler in one hand and a calculator in the other, it judges everything. And so, after judging so much for so long, it is now unwilling to know anything. Our best scientists are on record today admitting that we could be living in computer simulation for all we know. We may not even exist! How depressing. How meaningless. And it affects everything. As scripture says

"For although [human beings] knew God, they neither glorified him as God nor gave thanks to him, but their thinking became futile and their foolish hearts were darkened. Although they claimed to be wise, they became fools and exchanged the glory of the immortal God for images made to look like a mortal human being and birds and animals and reptiles." (Romans 1:21-23 NIV)

In case you missed it, that last part means that human beings traded knowing God for the worship of idols that they make.

But, I am not here to write about that. I'm here to write about our rescue. Because, you see, God does not leave us in the lonely room.

You see, our God is our creator. God made everything. What this means is that he made the universe and its laws and its times. He also made human beings. He made them to live in it, to govern it, and to worship him as his representatives to everything else it.

And how did he make it all? The scriptures tell us that God spoke it into being. Now don't think of God using a human language, like Hebrew or French or Spanish. The language is poetic. What it is getting at is that there is a deep reason, a wisdom, underneath everything, and that human beings are made as part of that wisdom and made to know that wisdom.

Isn't it weird that two-legged mammals on a little, blue planet developed mathematics and logic that allows them to understand how atoms and subatomic particles, black holes and distant galaxies work? We don't just wander confused around our neighborhoods. Instead, we developed a fantastic tool to study our universe. It is called science. And it really works!

How do we do that? How can our brain make sense of distant planets and galaxies?

It can because we are made in the image of God, in Latin the imago Dei /ee-MAH-go DAY-ee/. And so the reason and logic and wisdom of the creator that knits our universe together is something we can understand because we're part of it all--and that includes language. Our God is a speaking God. And so, human beings, made in his image, may speak with confidence. God put language into the world and called it good (Gen 2:20).

So using language about God or with God does not make us idolators: that is what language is for! Indeed, using language to pray and worship God is its highest and truest use. When we do that, we're doing what we, of all that is made, are created to do (Psalm 150). Not only can we use language, we are made and commanded to do so. Human beings were made to be priests of creation speaking praise on behalf of all things--from stars to mollusks to amoeba to rocks and trees and vines--and displaying to all as well what our God is like, calling all creation to its proper worship.

There's more to say here, but until next time: "Let everything that has breath praise the Lord!"

Sunday, October 18, 2015

A Note From Class: Pilgrimage to Parnassus

Dear Friends,

In Green Hills there is a bookstore named Parnassus Books. You should visit it some time. Each book is hand-chosen by the store owners, and they invite authors to come and read aloud from their books. Parnassus has style.

Parnassus also has several owners. One of them acts as store spokesperson, the nerdy-famous author Anne Patchette.

Patchette wasn't always well known or successful. "My first stories and novels," she said, "were no more capable of supporting me than my dog." But success did eventually find her. And it is a good thing, because it is near impossible to start a bookstore (or any other business) without money.

As spokesperson, Patchette does interviews about her work and the bookstore. And, being a writer, she is often asked about writing. Here is something she said about writing a novel:

For me it’s like this: I make up a novel in my head. This is the happiest time in the arc of my writing process. The book is my invisible friend, omnipresent, evolving, thrilling. . . . This book I have not yet written one word of is a thing of indescribable beauty, unpredictable in its patterns, piercing in its color, so wild and loyal in its nature that my love for this book, and my faith in it as I track its lazy flight, is the single perfect joy in my life. It is the greatest novel in the history of literature, and I have thought it up, and all I have to do is put it down on paper and then everyone can see this beauty that I see.

And so I do. When I can’t think of another stall, when putting it off has actually become more painful than doing it, I reach up and pluck the butterfly from the air. I take it from the region of my head and I press it down against my desk, and there, with my own hand, I kill it. It’s not that I want to kill it, but it’s the only way I can get something that is so three-dimensional onto the flat page. Just to make sure the job is done I stick it into place with a pin. Imagine running over a butterfly with an SUV. Everything that was beautiful about this living thing — all the color, the light and movement — is gone. What I’m left with is the dry husk of my friend, the broken body chipped, dismantled, and poorly reassembled. Dead. That’s my book.

This is a bold confession! Here is Anne Patchette, successful writer, disappointed with words. As she said, for all their usefulness, words can't communicate the "piercing color" of imagination. Words pin ideas to a page. They "run over a butterfly with an SUV." It sounds painful.

So why do writers do this? How can they bear seeing their beautiful ideas killed dead by words over and over again? Why do they do it?

I mention Patchette's writer’s frustration to recall again our trouble with words. We must use them, but they are only tools. And though a beautiful tool—for language is beautiful—they are no match for the real. But they are all we have.

In my last post, I talked about how this poses a problem for god talk. If Patchette can’t trust language not to kill her imagination, how can we use language to talk about God? If God is "of indescribable beauty, unpredictable in its patterns, piercing in its color, so wild and loyal in its nature" like Patchette's imagination, then isn’t it wrongheaded to do god talk at all? Wouldn’t we be running over a butterfly with an SUV? And what about people who do this for a living? Are they butterfly murderers every one?

Let me ask one more question--a new question: Is it morally wrong to use words to talk about God? I mean, there is a word for taking a tool and setting it up between you and God. That word is idolatry.

Do we use words like some use gold or stone or wood and make a god out of them and pray to that god?

Yikes! god talk may be not only silly but dangerous!

Idolatry is a big topic in the Bible. Read it and you run into idolatry a lot. For example, right at the beginning of the Ten Commandments: "You shall not make for yourself an idol." (Exodus 20:4).

Or, (and this is one of my favorites) we hear the prophet Isaiah /eye-ZAY-uh/ openly making fun of idolaters. Put on your best "I'm making fun of you" voice and read this:

The carpenter measures with a line and makes an outline with a marker; he roughs it out with chisels and marks it with compasses.

He shapes it in human form, human form in all its glory, that it may dwell in a shrine.

He cut down cedars, or perhaps took a cypress or oak.

Some of it he takes and warms himself, he kindles a fire and bakes bread. But he also fashions a god and worships it; he makes an idol and bows down to it.

Half of the wood he burns in the fire; over it he prepares his meal, he roasts his meat and eats his fill. He also warms himself and says, “Ah! I am warm; I see the fire.”

From the rest he makes a god, his idol; he bows down to it and worships. He prays to it and says, “Save me! You are my god!”

No one stops to think, no one has the knowledge or understanding to say, “Half of it I used for fuel; I even baked bread over its coals, I roasted meat and I ate. Shall I make a detestable thing from what is left? Shall I bow down to a block of wood?" (Isaiah 44:13-19)

Isaiah's sarcasm always makes me laugh—though I doubt his hearers thought he was funny.

Yet are we them? Instead of wood, do we build gods of words? Do we make a god out of our ideas of what God should be like? Do we project our ideas onto the clouds and "bow down”?

I think we certainly can do that. Yes, we human beings can make idols of anything, including from the ideas in our heads. As the Swiss pastor John Calvin said, "The human heart is an idol factory."

So what are we to do, we creatures of words? Can we talk of God or to God? Should we? Can we pray and be sure we are praying not to our imagination-god but to the living One? Can we pray "Our Father"?

I'm afraid we've worked ourselves into a tiny, dark box with no holes here, all alone with ourselves.

Wednesday, October 07, 2015

A Note From Class: Can We Say Anything About God?

Dear Friends,

Based on your correspondence since my last post, clearly, we have a lot to talk about.

In our last class, you wanted to talk about several things: (1) the scroll and the codex, (2) Egyptian deities, (3) the New Testament as a collection or cabinet of books--and we started learning those books in order, and (4) genre.

These may seem quite scattered, but I assure you that they are not. These and other subjects join hands around the same center, which is the triune God revealed in the prophetic word, the Bible ("He has spoken through the prophets"). Like servants attending a king seated in his throne room, some are lowly workers while others are important judges and generals. Yet they all look toward the same face.

I've attached a photo of a leaf from one of the earliest bits of the New Testament that we have. It is the opening page of the letter (epistle) of 2 Corinthians (Corinthians B in the photo). You can tell that it was part of a codex because you can see the holes from the woven binding on the left-hand side of the page. You can also see that the "paper" is made of pressed papyrus leaves, as the stringy vegetable bits hang out where the page has been ripped or has gone missing.

It is part of the rich store of pages (and sometimes whole copies) from the Bible that have come down to us from cultures and languages all over the world. Together, they tell us something about the Our we talked about: the Our of "Our Father." We do not pray alone, nor are we the first to do so. We join untold numbers of others--a great family--who are invited to address God as Father.

Remember how I said C. S. Lewis described the church "spread out through all time and space and rooted in eternity, terrible as an army with banners"? Or notice how John of Patmos describes the church in his vision, "Behold, a great multitude that no one could number, from every nation, from all tribes and peoples and languages, standing before the throne and before the Lamb, clothed in white robes, with palm branches in their hands, and crying out with a loud voice, 'Salvation belongs to our God who sits on the throne, and to the Lamb!'" (That whole reference is worth looking up, Revelation 7.9-17.)

That is the beautiful and forever fellowship that we are about. But such visions are certainly not what we see with our eyes.

Going back to C. S. Lewis again, the "terrible army" spectacle of the church is invisible to us. As Lewis, in his book The Screwtape Letters, has a senior devil say:

It is quite invisible to these humans. All your patient sees is the half-finished, sham Gothic erection on the new building estate. When he goes inside, he sees the local grocer with rather an oily expression on his face bustling up to offer him one shiny little book containing a liturgy which neither of them understands, and one shabby little book containing corrupt texts of a number of religious lyrics, mostly bad, and in very small print. When he gets to his pew and looks round him he sees just that selection of his neighbors whom he has hitherto avoided.
Interestingly enough, we are running parallel with the problem we talked about in my last post to you: the problem of knowing a word but not knowing its meaning. The church, says Lewis, looks like the face of the local grocer and the people one has so far avoided, even while it is really that innumerable multitude that no one can number.

Things are rarely what they seem to be on the outside. A boring, tired teacher at your school turns out to be a lover of the mystery of math who felt called as a young woman to help kids see that beautiful thing that she sees. That wrinkled, bad-breath-afflicted uncle in your family that no one talks to once took on German tanks and infantry in the Battle of the Bulge. Or, scientifically speaking, things--you, me, rocks, trees--are mostly made of empty space. We're all, from the perspective of the Earth's axis, standing sideways.

Language both helps us and harms us in solving problems like this. We use language to describe nouns and verbs like tear and tear. But the bare words don't tell us which one is salty with grief. Language has its limits--and homonyms like light, letter, book, and duck demonstrate that. And what about cleave? Are we chopping something into pieces or joining together till death do us part? We must use language, but we can't always trust it.

So consider the theological problem of language. Poets, authors, explorers, and scientists may struggle to find just the right word for the right thing. But what if that thing is by definition indescribable? What if that thing is a person and more than person? What if we want to talk about God?

People are so free to talk about God. They run everywhere saying this and that about God and no one gives it a thought. We hear it so much--and especially in the south--that we get used to it. But this is a real problem. Severe even.

How can a creature talk about a creator? How can the limited talk about what is, by nature, unlimited? How can mortals grasp the immortal? Do you get what I'm saying here?

Skipping ahead: nevertheless, we do it. We talk about God. So given that, how do we know we're saying anything true? What gives us the confidence to say things about God using a thirteenth-century language like English and then act like we've done something? I hope you are getting this.

Let's get even more practical. Ministers--think of the ones you know--have jobs that require them to say things about God and on God's behalf. How can they do this? How do we know they aren't lying? How do they know they aren't misrepresenting God? And why should we listen to them? It stands to reason that everyone the world over who claims to speak for God isn't telling the truth. Someone is lying or self-deluded. So how do we know whom to listen to and whom to ignore?

The Greeks struggled with this problem. One of their solutions was to imagine their gods as human beings but bigger. Their gods, like Zeus and Hera, Poseidon and Aphrodite, argued and squabbled like superhuman babies.

It was a solution that didn't fly for long, even for the Greeks. Philosophers like Socrates and Aristotle, along with other educated people of their time, made fun of this kind of thinking. "You can't just blow human beings up like big balloons and say you've made a god!" they said.

Closer to our time, a German atheist named Ludwig Feuerbach said that Christians do the same thing. He said the God of the Bible is but the outward projection of human desires upon the clouds. We, like little children, imagine the parent or friend that we want and call it god. Of course, he used fancy, nineteenth-century language: "In the consciousness of the infinite, the conscious subject has for his object the infinity of his own nature."

Certainly, atheism is a popular answer in our day to the problem of talking about God, "god talk" for short. Atheism takes a big pair of scissors and cuts any notion of God or gods or the supernatural or transcendence completely away. No more "gods" means no more god talk problem. Now then, what's for lunch?

But, I'm going on too long. Allow me one more subject: genre (pronounced /JHAN-ruh/). Whenever we take in information, we have to first figure out what genre we're working with. If we are going to listen to orchestral music, then we expect woodwinds and stringed instruments and forms like the sonata and the waltz. If electronica, then samplers and mixers and a laser-light show. I like going to the movies to see films in certain genres, like superhero movies or science fiction.

When we are in a certain genre, we expect certain things and not other things. In a comic book, I expect Iron Man. I do not expect the periodic table of elements, though the latter makes sense in a chemistry textbook.

Figuring out what sorts of ideas or actions (e.g. car chases, ghosts, tables of dates) go with each genre is important. It helps us know how to make sense of what is going on. It makes communication clear. The phrase "home run" is meaningless outside of the genre of baseball.

The New Testament, as I said, is a big cabinet of books, as is the whole Bible. Not all of those books are written in the same genre. Acts is a history, but James is not; James is a good, Jewish sermon. Hebrews is also a sermon. Revelation is a fancy genre called apocalyptic. (More on that another time.) Paul's writings, which make up most of the New Testament, are epistles, that is letters. The gospels are not history like Acts is.

Knowing the genre of something, be it some written text, a movie, a song, or any kind of communication, is almost as important for understanding as is knowing the language it is written or spoken in. Genre is important!

Okay, then: I've raised some big questions in this epistle and given few answers. I do have answers, yes. But knowing, trusting, and following Jesus isn't a matter of checking the right boxes. So we will get around to some answers, but me giving you answers doesn't make you better disciples. Nor does having questions--often deep and difficult questions--and carrying those questions around for years and years make you less true disciples of Jesus and beloved sons and heirs of God.

How else do you get wisdom? Why does the Bible encourage us again and again to seek it, to quest for it, to dig and wrestle and search for wisdom? It wouldn't do this if wisdom were easy, or if the goal of being a Christian is to be a questionless drone.

My sons, if you accept my words and store up my commands within you, Turning your ears to wisdom and applying your hearts to understanding, And if you call out for insight and cry out for understanding, And if you look for it as for silver and search for it as for buried treasure, Then you will understand the fear of the Lord, and find the knowledge of God. For the Lord gives wisdom, and from his mouth comes knowledge and understanding. (Proverbs 2:1ff)
In the next letter, I hope to do more on the Lord's Prayer, and I hope to have St. Theresa of Avila help me do it.

Thursday, April 18, 2013

Hacking Language Acquisition: Some Thoughts.

What is language? How are languages constructed? And what are the best ways to quickly learn a language? These and similar questions have been rolling around in my mind over the last few months.

It all started because I have been teaching Greek to some dedicated friends. Now if you know anything about classical languages, you know that many people every year take these languages, such as Greek, Hebrew, and Latin, in graduate school as prerequisites toward further study. And you may also know that the dropout rate post-graduation for the enjoyment and retention of these languages is not good. Now I and my friends are putting a lot of effort into learning Greek. I don't want them to be a statistic--and, frankly, I don't want to become one either. So I ask the question, "What does it take to escape the attrition trap and break through into enjoying and so sustaining and even growing, in a language?"

I work a job, so I don't have a lot of time for deep reading and research about this. But here are a few things I've learned.

Immanuel Kant was a Linguist

According to Immanuel Kant, human beings construct the world along two planes: extension and change, in other words, along space and time.

  1. The noun system captures space (extension)
  2. The tense system captures time (change)

Both employ the same method to do so.

Beginning with an often-largely-consonantal root, prefixes, suffixes, and infixes are added or removed to plot that root within a matrix that assigns it jobs, for example, as a direct object or as the subject of a sentence.

We memorize a lexical form (lemma) of a word, but understand that the lemma really exists as a root that can manifest anywhere along a matrix.

Understood in this way, there is a deep repetition, a strategic recurrence, between verbal and noun systems. Furthermore, taken together they answer Kant's qualifications for building the kind of world that human beings experience (an appropriately phenomenological world.)

With this in mind, one can begin to interrogate a language and ask why this matrix is chosen and not another one? Why five or seven cases and not thirteen or twenty-one?

Open- and Closed-Class Words

Linguists parse the words of a language into two categories: open-class and closed-class. Open-class words (e.g. main verbs) are the usual nouns, adjectives, adverbs, and verbs that we usually associate with language. Open-class words are also called content words or lexical words. These are the words that carry the meaning in sentences, and it is interesting that new words that come into a language are always open-class words (thus the "open.") Closed-class words (e.g. auxiliary verbs), also called function or grammatical words, are things like determiners, qualifiers, prepositions, conjunctions, and intensifiers. They serve a variety of functions, as their names demonstrate. They do not, themselves, carry meaning in the way that content words do. Instead, they serve to grammatically connect the open-class words. There are far fewer closed-class words in a language than open-classed words by several standard deviations. And, here's another kicker, unlike open-class words, to which new terms may be coined or invented or taken whole from another language, closed-class words are stubbornly fixed. Languages have all the function words that they need, and it is near impossible to delete or add to their number, even when it would be useful to do so. Closed-class function words, then, are the inner skeleton upon which the open-class content of the language is attached. In short, if you are going to learn a new language, get to know function words well, and become adept at watching for them when reading. "Once the framework of grammar has been transferred to long-term memory," says author Tim Ferris, "acquiring vocabulary is a simple process of proper spaced repetition." I've read that an ESL teacher, for example, should aim at the perception of the structure of a text before the individual words. So by zeroing in on function words, one will learn more about a target language than would be done through memorizing hundreds of content words.

". . . the task facing the child is not to learn how language works, starting from scratch. Instead, since children are born with an implicit knowledge of languages in general, they have to figure out how the particular language (or languages) they hear functions. For example, all languages have something like prepositions, words that show relationships among things (The book is on the table). In languages like English, these words that show position come in front of the noun, so they are called prepositions. In other languages, these words follow the noun, so in those languages, a child would encounter sentences with this pattern: The book is the table on.In such languages,these words are called postpositions because they come after (post), not before (pre)." [1]

An Interesting Note from a Translator

"A translation is not just turning one language into another. It’s also about opening up a foreign mindset . . . to hear the text and experience it absolutely as intensely as I can, allowing myself to fall into its way of thinking about things. A good translator has to be an interested sponge when it comes to the idiom and cultural setting of the language he or she is translating from [--] fascinated by the picayune details of language. Every complex translation would be somewhat different if we had done it a month before, or a month later, or even an hour."[2]

Benny the Irish Polyglot Says to Ditch the English

One of the biggest lessons Benny learned in his transformation to language polyglot was to give up his English as quickly as possible. Be stupid, he says. Make mistakes. But leave your English behind and deal with the frustrating, bewildering, but language-acquisition-fast method of leaving your comfort language behind.[3]

Now, where dead languages are concerned, you can't just avoid your English-speaking expat friends and hang out with the locals. What you can do, however, is to up your exposure and go cold-turkey on sections of text. For example, one could go native on the Gospel of Mark or on a chapter of the Gallic Wars or something.

Tangentially, get away from code-thinking as soon as possible. A new language is not just a code for your old one. Stop occasionally and forget your native tongue while holding the new language in stasis like wine held in the tongue. Enjoy and parse out the sensation before swallowing.

A Large Bit on the Importance of Reading

"Studies of vocabulary development through reading give further support to the claim that most vocabulary is acquired. Anderson and Nagy carried out a series of studies on how children acquire words during reading. They found, for example, that there is about a one in twenty chance that a student will acquire a new word from seeing it in context. . . . If students see a word more often, they are more likely to acquire the word.Anderson and Nagy report that the average fifth grader reads for about twenty-five minutes a day. They comment "This number is certainly lower than would be desired, but it translates into about a million words of text covered in a year." If even 2 percent of the words were unfamiliar, students would encounter twenty thousand new words in a year. If they acquired one out of every twenty, they would acquire at least one thousand words a year.

"These authors go on to say, "An avid reader might spend an hour or two a day reading, and thus cover four or more times as much text. The rate of learning from context for self-selected text is likely to be closer to one unfamiliar word in ten than one in twenty. For children who do a fair amount of independent reading, then, natural learning could easily lead to the acquisition of five to ten thousand words a year, and thus account for the bulk of their annual vocabulary growth."

. . . .

"A study carried out with adult speakers of English and students learning ESL showed that both groups were able to define many new vocabulary words just from reading a novel.

. . . . .

"[Another researcher] found that picking up words from reading is ten times faster than learning words through intensive vocabulary instruction. However, they also suggest that some vocabulary study can be useful. They encourage teachers to develop a sense of what they call "word consciousness." "We believe that the goal of instruction should be to develop what one lexiphile has termed word consciousness."

. . . .

"One of the benefits of acquiring vocabulary through reading is that students develop a more complete understanding than the superficial knowledge gained by memorizing a definition. . . . When students see and hear a word in different contexts, they build a subconscious understanding of that word. Extensive reading is the best way for students to build a rich vocabulary." [4]

"When you read in a language you know well, your brain jumps right away to the meaning of what you're seeing, but it takes a long time to automate that process in another language. After seeing a word, you have to identify the component parts (like prefixes or verb endings), retrieve the meaning of each part from your memory, and then process those meanings (and link them to other meanings you just read). This retrieval process is called bottom-up processing, but reading also requires top-down processing: integrating what you know and expect about the situation, topic, and person writing it. Good readers balance top-down and bottom-up processing to efficiently get to the author's meaning – the message they wanted to convey to you (the content) and how they phrased it (friendly? formal? annoyed?)" ~ Cindy Blanco for Duolingo

From an interview with the writer Yiyun Li. Interviewer, "What's the best or worst writing advice you've ever received?" Li: "When I was in grad school, Jim Crace, who was visiting Iowa, taught me how to use dictionaries. This remains one of the best advices I've received: always look up every word I use even if I thought I already knew the word."

Here are some principles of extensive reading according to SLA experts Paul Nation and Rob Waring:

  • Large volume of reading
  • Faster reading speed
  • Meaning-focused, not feature-focused (i.e. grammar)
  • "Reading is its own reward" (i.e. no need to parse/translate/analyze)
  • Reading fluency is helped more by time with easier texts than wrestling with hard ones

Note also the following quotation.

"It is perfectly possible to expand your vocabulary in a sustainable manner that is relevant to your current level, needs, and usage. Remember the “output” versus “input” distinction I’ve made earlier? Focusing on input (i.e. interesting resources to consult to immerse yourself in the language) rather than output (i.e. the number of words to memorize every day) is a good start. Rather than becoming obsessed with memorizing new words, simply accept the fact that you will end up forgetting a lot of the stuff you come across. But by being exposed to material that is at a suitable level to you and by trusting your common sense and learning as much as you can from context, you will inevitably end up assimilating sentence structures, collocations, and words in a more natural fashion through exposure. Sure, at this stage, if you come across a word several times and you still can’t get your head around it, it doesn’t hurt to write it down in a notebook or even save it in a flashcard app. But by changing the way you approach language learning, and by taking the focus away from memorizing a set amount of words every day/week/month to actually getting exposed to the language in a more holistic manner, you will find that slowly but surely, your skills will progress and your fluency in the language will follow a path in harmony with the vocabulary and sentence structures you are exposed to." (Lingholic)

Lend Language Your Ears

Human beings use air, their vocal chords, and the contraction and expansion of their oral and nasal cavities to express or suppress sounds. The Phoenicians were the first to begin writing down sounds phonetically rather than resorting to picture language. Therefore writing for every other language that does this, which are most languages, is a kind of shorthand for the contraction or relaxation of organic sound production. Writing isn't where meaning lives. Writing tells you how to move your body to make the kind of sounds that produce meaning. Generally speaking: language is an oral thing. When you look at a page of English or French or Latin or German, you are seeing instructions for producing the sort of sounds that community of speakers agreed on. What this means is that when learning a new language, you need to keep your mouth and ears involved. Never read silently, and listen to as much as possible.

Set Short-Term Goals

One thing that Tim Ferris and Benny the Irish Polyglot talk about is not dying at the hands of language perfection. Language courses tend to teach against an ideal of perfection, and this, they say, kills motivation. Language is the way that minds connect with minds. It is the tool for making connections between people and cultures. So learn what you have to have to get to the point where you can start connecting and let the rest take care of itself. That's what they would say.

This is not as applicable where classical languages are concerned, but it is still helpful. If the point is to make connection, then read for meaning first before you read for parsed perfection.

Ferris and Benny talk about setting smaller short-term goals: to carry on a two-minute conversation, to order coffee, to read a weather report, to read a chapter of Plato without reference to a lexicon.

And finally, I'm thinking about the idea of micro-grammars within languages right now. It is one thing to learn how to say hello or to construct a simple sentence, but the conversation dies quickly thereafter because of a lack of micro-grammar. A micro-grammar is a word I use to talk about spheres of language: the weather, sports, the office, family life, religion, what's new in politics. Native speakers move from micro-grammar to micro-grammar as easily as moving from room to room, but even in native language there are times when one must acquire new words for a new environment (the micro-grammar of your city or neighborhood.) I'm not sure how yet to best incorporate this into language acquisition, but when I think of various children's books I can see that they recognize the existence of such grammars and take steps to teach words accordingly.

"When I was beginning to discover languages, I had a romanticized view of words like 'speak' and 'fluency.' But then I realized that you can be nominally fluent in a language and still struggle to understand parts of it. English is my first language, but what I really spoke was a hybrid of teenage slang and Manhattan-ese. When I listen to my father, a lawyer, talk to other lawyers, his words sound as foreign to me as Finnish. I certainly couldn’t read Shakespeare without a dictionary, and I’d be equally helpless in a room with Jamaicans or Cajuns. Yet all of us 'speak English.'" ~ polyglot Timothy Doner

The Two-Face Technique

From the beginning, I have thought about language acquisition using the metaphor of climbing Mount Everest. There are a number of reasons for this. The effort and focus that climbers display even years before their attempt. The social, material, and physical expense and exertion, if not pain, required to successfully summit the mountain. The way that climbing Everest has become a well-understood and apportioned process of having such-and-such gear and moving up the mountain through established camps. The fact that hundreds if not thousands of people make an attempt every year (you aren't any different from them.)

Now one element of the metaphor that has become very useful is the difference between Everest's south and north faces. The south face is the (qualified) easier of the two. The south face was the way Hillary and Norgay made the summit in 1953. The north face, however, is a beast.

For my purposes, each face represents a technique of language acquisition. The north face represents what we usually think of when we think of learning a language: wrote memorization and paradigms. The raw violence of making our minds sink new synapses into new patterns unattached to any other familiar information. The south face represents the way native speakers learned their language. South face techniques are reading aloud and reading a lot. They are fun and easy, and in my experience they charge a session with energy and life. North face exercises feel like work. South face s just fun.

The trouble, of course, is that south face takes a good long while and a lot of exposure--far more than we'd achieve even through a course of immersion. (Non-native speakers tend to achieve a homeostasis of "good enough," which is why I say even immersion is not sufficient.) Few people have the time or patience for such an approach. On the other hand, north face is not so great either. I already mentioned the abysmal rates of attrition by graduates who have taken even years of a language in formal instruction. So what to do?

My hypothesis is that good language work needs both faces delivered in appropriate amounts. Overall, south face activities are best, but north face activities should be used to speed up the dial. You swallow a paradigm or construction quickly, via north face, and that reinforces and makes your south face work more capable. The resulting success pumps endorphines into the whole and keeps the arrow of acquisition moving forward.

New info! I ran across a talk called "The Seven Road-Tested Habits of Effective Artists" by Andrew Price. One item of his talk is something he calls educating yourself. Practice doesn't make perfect, he says. One has to do the hard work of puncturing plateaus with sometimes dry and difficult learning to reach a new level. And he has a chart for this. When I saw this chart, I saw the immediate relevance to my language of north and south face teaching and learning. Employing both together, one grows oneself or others.

Linearization or Discourse Up and Down

Dr. Steven Runge talks about something called the linerization problem. "Linearization describes the fact that we can only produce one word at a time, one sentence at a time," he says. That means that "the reader/hearer can only take in one word at a time, one sentence at a time." So the hearer or reader has to construct the architecture of meaning that's coming at her, and she gets one shot at it. How does she do it?

Runge says that she does it through two methods. First, she uses deictic markers or textual markers that help her structure the stream of information she is hearing or reading.[5] These tell her what is more important or less, whether the subject has changed or is going in a new direction. Citing the work of linguist Walter Kintsch, Runge calls this method construction.

As it turns out, there is a lot of debate about construction. After all, if meaning is really found in the big structures of language, then why is it that so few of those handy markers are present at that level. And why are so many found at the level of sentences? Runge says that it is a matter of debate whether meaning is top-down or bottom up, but he thinks it is both.

What he's really fascinated by is how textual markers on the sentence level go on to build those big, discourse-level structures our reader uses for understanding. "Call me silly," he says, "but it would seem that if one has properly understood how a device operates in simplex context at the lower-levels, then one will be in a much better position to adequately describe its much more complex interaction with other features at the higher-levels of discourse processing, i.e. the integration stage." Discourse Analysis needs its more humble, lower-level cousin, discourse grammar. "Lower-level structures are the keystone to understanding higher-level structures."

The second method the hearer or reader uses to extract meaning is more contextual. Runge calls it integration.

The newly forming mental representation of a text doesn’t exist in an isolated silo of our brain. Instead Kintsch has demonstrated that we integrate the new one into our existing, larger mental representation. This integration is not simply with the earlier portion of what we’ve read or even other books we’ve read, but with the sum of our knowledge about the world and how it operates based on our prior learning and experiences. . . . Differences in background knowledge, goals, and presuppositions all play a role in how we process a text. We don’t just read a text, we also integrate it with what we already know.

Integration is why two people can read the same text and get completely different answers. They may both be doing the construction side at nearly the same level, but their integration is widely different, as are no-doubt their life experiences. "Our own mental representation of the world . . . plays a huge role in how we process new texts or communication."

Memorizing important chunks of texts in the target language

A method I use myself, and I have run into this method from polyglots (Donovan Nagel), is commonly called chunking. Chunking involves listening to chunks of language over a period of time and repeating them, verbatim, until they start to come from you naturally. It is akin to how musicians repeat scales until they become second nature.

depth of processing and spaced repition

These are the two main methods of memorization. You can (should) deepen spaced repition using examples, using assigned motions, using images. You can (should) employ depth of processing techniques. I haven't done much research into the latter, but I intend to.

Move faster than is comfortable

These two paragraphs from an article about coding bootcamps captures a very important element about language learning that I constantly have to remind myself: you are never comfortable--and that is good. Keep moving.

One of my favorite stories about building skills comes from the book Art and Fear: Observations on the Perils (and Rewards) of Artmaking. To summarize: There are two groups in a ceramics class. The members of one group have to create a piece every day and submit their best work at the end of the term. The members of the other group are allowed to work on a single piece for the entire length of the term to produce a masterpiece.

When the term was finished, the best work consistently came from the group that had completed pieces every day. When learning programming, the same principle is true. You learn better and faster when you code and finish small projects frequently.

Grammaticalization!

Grammaticalization is a five-dollar linguistic word for the way that people are always changing their language. As the linguists say, "the type of change that takes place between a linguistic form and the meaning associated with that form." Er, yeah. And "This form-meaning combo could be as small as a morpho-syntactic unit or as large as a multi-word construction." Of course language changes in little ways and big ways--all over the place ways--but do we really need to crazy vocabulary? At any rate, here's a few ways that this change happens (which I shamelessly lifted from a blog post somewhere):[6]

  1. Frequency of use: the more a construction gets used, the more contexts it’s exposed to; and the more exposure, the greater the chances to pick up some contextual residue that ends up sticking and altering or adding to this standard uses.
  2. Frequency of use has another consequence: the more a construction gets used the more compacted or reduced it can become; it’s not just easier to say, but it’s also so known that people can be expected to “fill in the blanks” (e.g., Imma get you = I am going to get you).
  3. Metaphorical extensions: a construction is able to erode into a grammatical nugget with little to no semantic content because our cognition is based upon metaphors, which begin with concrete anthropocentric experiences and get mapped over to communicate abstract ones (e.g., that we understand the abstract domain of time through our experience of space is said to explain how “I am going to the store”, which is a spatial claim, can be mapped over to a claim about what one will do in the future, “I am going to travel to the moon one day”).
  4. Desire to be expressive: presumably, people grow tired of communicating through cliches and, instead, desire to speak in the tongues of angels; to push the bounds and be innovative; and lo and behold, collective force of experimenting with new lines results in sayings that actually stick… sometimes.
  5. Pragmatic implicatures. (I have no idea what "pragmatic implicatures" is, but it may just be a stand in for stuff happens.)

Here's a fun chart:

A bit about knowing words and word consciousness

"When we talk about developing children's vocabulary, we are not only talking about knowing a high number of words but also about how well they know those words. According to Beck et al. (2002), "knowing a word is not an all-or-nothing proposition: it is not the case that one either knows or does not know a word" (p. 9). That is, an individual may know a little bit or a lot about a word. Dale (1965) was one of the first to explain the importance of differences in levels of word knowledge and to classify these levels: (a) never saw or heard the word before; (b) heard the word, but does not know its meaning; (c) recognizes the word in context as having something to do with _______; and (d) knows the word well. Beck, McKeown, and Omanson (1987) also identified the quantity of word knowledge along a continuum of levels: (a) no knowledge; (b) general sense of the word; (c) narrow, context-bound knowledge; (d) some knowledge of a word, but not being able to recall it readily enough to use it in appropriate situations; and (e) rich, decontextualized knowledge of a word's meaning.

"So what should our goal for instruction be? Some researchers (e.g., Beck et al., 2002; Coyne, 2009) suggested that knowing fewer words well is more important than knowing many words superficially. According to Beck et al., teachers should strive to help students use the words they have learned not only during reading but also during writing and speaking. This means that they need a "deep kind of knowledge" (p. 11). Other researchers (e.g., Biemiller and Boote, 2006) promoted breadth of vocabulary knowledge acquisition. Those who emphasize vocabulary breadth assert that knowing many words is critical to understanding a variety of text. No matter which they emphasize, most researchers would agree that both breadth and depth of vocabulary knowledge are important.

"Graves (2000) identified four key components of vocabulary instruction: wide reading, instruction of individual words, word learning strategies, and development of word consciousness. Word consciousness involves being aware and interested in words and word meanings (Anderson and Nagy, 1992; Graves and Watts-Taffe, 2002) and noticing when and how new words are used (Manzo and Manzo, 2008). Individuals who are word conscious are motivated to learn new words and able to use them skillfully. Helping students become word conscious is a crucial endeavor for teachers across grade levels, especially teachers working with students whose prior vocabulary exposure may be limited."[7]

General principles of effective vocabulary instruction hold true for all students. Use oral language channels, and leverage good texts to facilitate discussions and interactions with words. Help students develop word appreciation and word consciousness by providing rich and varied language experiences. Students need multiple opportunities to practice using new vocabulary in intentional and meaningful experiences through reading, writing, listening and speaking.

Understanding language requires more than an examination of the pieces

"A mere annotation of where each chess piece is located does not really explain the state of a particular game. On the contrary, there is a dynamic relationship among the pieces that reveals the true 'meaning' of the game. Similarly, we do not do justice to language if we treat it atomistically, analyzing its individual components without reference to their place in the linguistic system."[8]

__________


[1] David E. Freeman and Yvonne S. Freeman, Essential Linguistics (Portsmouth, NH: Heinemann, 2004), 14. Just for the sake of interest, note the same principle at work in software development where software frameworks consist of frozen spots and hot spots. Frozen spots define the overall architecture of a software system, that is to say its basic components and the relationships between them. These remain unchanged (frozen) in any instantiation of the application framework. Hot spots represent those parts where the programmers using the framework add their own code to add the functionality specific to their own project.
[2] Dennis Abrams, "The Art of Translation: Something New, Something Old" Publishing Perspectives
https://publishingperspectives.com/2013/04/the-art-of-translation-something-new-something-old/ accessed April 2, 2013.
[3] Watch his interesting TEDx talk at https://youtu.be/HZqUeWshwMs
[4] Freeman. Linguistics. 2004.
[5] A deictic marker is a word or phrase (such as this, that, these, those, now, then) that points to the time, place, or situation in which the speaker is speaking. Deixis is often and best described as “verbal pointing,” that is to say pointing by means of language. Deictic expressions fall into three categories: person (you, us), spatial (here, there), and temporal (now, then) deixis. Deictic expressions are tied to the speaker's location/context (deictic center). The most basic distinction is between near/proximate and far/distal.
[6] https://koine-greek.com/2022/02/25/the-circle-of-life-grammatically-speaking/ accessed 3:06 p.m. 3/18/2022
[7] Holly Lane and Stephanie Allen, "The Vocabulary Rich Classroom" https://www.readingrockets.org/article/vocabulary-rich-classroom-modeling-sophisticated-word-use-promote-word-consciousness-and#:~:text=Word%20consciousness%20involves%20being%20aware,able%20to%20use%20them%20skillfully. Accessed 10/29/2022.
[8] Moises Silva. God, Language and Scripture. Foundations of Contemporary Interpretation vol. 4. Zondervan, 1990. p. 45.

Thursday, May 10, 2012

Armchair Linguistics

There’s been a lot of talk about language on the web recently with the publication of cultural anthropologist and linguist Daniel Everett’s book Language: The Cultural Tool (Pantheon 2012). In it, Everett argues that culture is the mother of language. It is a direct challenge to the dominance of Noam Chomsky's view, that we are hard-wired for language.

The debate between Everett and Chomsky is an important and interesting one. Their two poles, culture and biology, mark out a linguistic field that serves my purpose. There are aspects of both views that appeal to me. I agree with Chomsky that language is irrevocably grounded in biology. And I agree with Everett that language is best seen as a tool. Language is a tool we use strategically to carry the freight of meaning from ourselves to others.

Over the years I have come up with my own linguistic rules of thumb. Untutored and unlettered, and lacking in the sophistication of even an undergraduate in the field, I nevertheless hope to publish them for the hope of future development, and for that reason I welcome your comments.

1. People want quick efficiency, but use makes things messy

Languages are subject to erosion (called grammaticalization). Round vowels and crisp consonants slowly devolve into quick grunts or pauses over time. Prepositions, for example, that used to denote fine shades of difference come to say pretty much the same thing. That and people want what is quick and easy. They invent pronouns to take the place of long strings of appositional nominatives so that the-bakery-woman-who-ties-her-hair-back-and-has-braces becomes she. The rococo nuances available to a language during an Elizabethan high point erode into simpler modes--shorter sentences, more practical applications, in short, toward the Strunk and White. At the same time, use creates complexity. Verbs for actions that we do a lot, such as "bring" or "go" or "give" or "enter/exit", become linguistically complicated. Phrases that are used a great deal stick. The language changes around them, but they keep stubbornly to some long-dead ending or grammatical construction. Or pre/in/suffixes of a time remain scattered here and there and there simply are no rules; one has to learn it cold. Use makes things complicated. Use spoils efficiency by tossing things out or keeping things in.

"It would not be entirely inappropriate to regard languages in their diachronic [across time] aspect as gigantic expression-compacting machines. They require as input a continuous flow of creatively produced expressions formed by lexical innovation [people tweaking them all the time for creative and all sorts of reasons] . . . The machine does whatever it can to wear down the expressions fed into it. It fades metaphors by standardizing them and using them over and over again. It attacks expressions of all kinds by phonetic erosion. It bleaches lexical items of most of their semantic content and forces them into service as grammatical markers. It chips away at the boundaries between elements and crushes them together into smaller units. The machine has a voracious appetite. Only the assiduous efforts of speakers—who salvage what they can from its output and recycle it by using their creative energies to fashion a steady flow of new expressions to feed back in—keep the whole thing going." ~ Langacker

2. Language--this is my middle-way between Everett and Chomsky--is about feel and sound

To me Chomsky is right to a degree, in that we only have a finite amount of sounds--even if practically that finitude is infinite, but Everett is also right, in that our culture will choose a set from that near-infinite set and create all words from that chosen subset. Languages could, I suppose, then be classified by subset, and dialects by the agreement or disagreement with the governing subset.

In Greek, for example, we discover a set of sounds (and human sounds are made by how the mouth feels, so feeling may enter, too, into how a culture chooses or dismisses a sound) chosen by that culture. And what culture? Oh, the culture that figured out musical scales and poetical meter. Plato has a section of The Republic devoted to poetic meter. Aristotle also lectured on it. People took it seriously. They listened. Therefore, we are invited to listen as well. At its deepest level, a language is a way of playing jazz on the most important instrument in the universe--the human voice. To learn a language is to be invited to step into the set and learn to jam, and we, like musicians, must learn to listen as well as to play. Playing is good. Listening is better. (A corollary to this is that language is a craft, not a sum.)

3. The observable world makes the rules

There are men, women, and things. There is us and those around us. There is the thing we throw and the thing thrown at us. The world presents problems to every culture, to every speaker, that he or she must solve. Some want to say that one's vocabulary determines what you see in the world. People without the word stop never do. People with ten words for snow see more about snow than the rest of us. This is called linguistic determinism or the Sapir–Whorf hypothesis. It is a romantic idea--but wrong. Languages find ways of saying what they want to say; you don't have to have an efficient way of getting at an observation or idea. Human biology and brain trumps the tools we make, going always before their abilities. The essence of focus is the negation of alternatives.

4. Vowel sounds are the silly putty of language. Consonants, not so much

If you were trying to send a message to people 100 years from now, don't hand it to the vowels. You'd better leave it with the consonants. The effects of this choice are hobgoblin and pervasive.

5. There are two strategies

To my mind, there are two basic strategies for encoding meaning into the extended musical riff we call a sentence: word order and inflection. Your language may borrow something from the other team, but it always emphasizes one or the other.

English is a word-order strategy of sequence and proximity. Related phrases go together. Our subjects come before our objects. Greek is an inflected language. Prefixes and suffixes are added or removed from a word to make it perform in different ways.

The gulf between these two cannot be overestimated. They are not only two strategies, they are two ways of hearing. I'm just starting to realize how much this is true.

Thursday, October 27, 2011

Christianity is like baseball

There is an article that has stayed with me for quite a while now. The article is "How Baseball Explains the Nature of Language" by Alva Noë. Noë is a philosopher of perception at UC Berkeley. He is also a member of the Institute for Cognitive and Brain Sciences and the Center for New Media, and he blogs on NPR's science blog 13:7 Cosmos and Culture, where this article was published.

Now I've been asking methodological questions about theology for over a decade now. What is theology? What makes theology good or bad? Does theology mean anything? Does it have purpose? Is it useful? What is appropriate to it and when could it be said to go off the tracks? Is it a craft or a science? How do you know if you are doing theology versus, say, sociology, psychology, political theory, writing protest songs, or abandoning oneself to phantasie under the illusion of piety? What are its basic moves, its tools, its core principles? How can one define its edges and sort out its territories? Is theology native to confession or imported (or worse) into/onto it?

Nearly all of these sorts of questions are simply assumed by surveys and the literature (though not by Barth who plows right in from the start), and so I've been forced to work backward into the questions, which is my usual and oh-so-efficient method. Nevertheless, I have made slow, imperceptible progress. My hypothesis is that theology is not akin to philosophy or a philosophical system, but resembles more a craft, something that is made by human beings and that also makes them back.

So if theology is a craft, then what structures and orders it? What are its tools? I've been around the block long enough to have heard a bit about Ludwig Wittgenstein's language games, and I own a copy of the Tractatus Logico-Philosophicus and the Philosophical Investigations. But his work outstrips my abilities--and Noë's article enters the picture at exactly this point, meeting low-brow abilities like mine with exactly the sort of metaphor this citizen of Red Sox Nation can respond to: baseball.

A fundamental of NoĂ«'s argument is that context governs meaning. The phrase "home run" is meaningless outside of the context "baseball". Baseball creates a space in which meanings like home run, triple play, our grand slam can come to be and make sense. (Wittgenstein put it like this in the first proposition of the Tractatus: Die Welt ist alles, was der Fall ist / The world is all that is the case. Think also of Heidegger’s Dasein—that we are thrown (Geworfenheit) into this world. Dasein ist geworfener Entwurf.) But what sort of activity is baseball?

Baseball is based on rules, but it far transcends them. Baseball includes all of these actions—throwing, hitting, catching, how to steal a base, how to bunt—and all of this new grammar—double-play, foul ball, home run. But it also includes a higher-order discussion of how it is best played and what makes for the best team and the best game. “Baseball people are concerned not just with how you play, but with the very question of how one ought to play baseball.” And it also brings with it an ethic: “When you are initiated into the baseball world, you learn to care about such things as stolen bases and pick-off attempts.”

Baseball is a human space. And this space is not just system, but a practice, a game, an activity which by definition is participatory, social, and makes as much as it is made. "To learn baseball," writes Noë, "is to come to be able to see and feel and be motivated in ways that are meaningless to strangers of the game. Baseball is more than a system of rules, it is a practice."

NoĂ« says that there is a class of actions that human beings practice, a class based on rules, but that can’t help but transcends rules. A class that always has both first-order activities (what is done) and second-order activities (how we evaluate what is done). He calls these “baseball-like practices” and practices whose “ontologies are practice relative” and includes in these other social practices such as dance, art, law, speech, and language.

As a philosopher of language, NoĂ« is taking linguistics to task. Linguists, he says, want desperately to be descriptive and evaluate only what is there. But they cannot do that, he maintains, because language is one of those class of actions that cannot be described from the outside. We live inside language; we can’t examine it from some removed and untouchable location. “We are so deeply embedded within and at home in the language world (compare: the baseball world) that we find it difficult to believe in the practice relativity of our convictions and commitments.” And because of that language is not only a first-order practice, like chemistry or geology, which can be comfortably described and dissected, but always and everywhere a second-order practice which can’t help but comment and critique itself.

And so I say that Christianity is a baseball-like practice whose ontology is practice-relative. It is a human practice, and that means a social, a political practice. It is based on rules (law), but those rules create a space of actions and activities and words and meanings and, almost instantly, the second-order discussion of how this should all work called theology. But going deeper than that, it is a revealed religion, which means it is based in language (Word) and, because language is a baseball-like practice, then by definition it must have grammar, it must have ethics, it must have theology.[1]

Coming the long way around, then, Christianity is a practice-specific, a baseball-like ontology that exists along the first-order—its practices (liturgy, public and private)—and the second-order—the ethics generated by and for those practices as well as the metaphysics, the theology that questions the fitness of the whole.

Well, I’ve thrashed around in this for a while. Such thrashing is not NoĂ«’s fault. His article isn’t about Christianity, after all, but an intramural jab at linguistics. There is something lex orandi, lex credenda (the law of prayer is the law of belief) about it. And there is something of Plato’s Paradox of the Meno and previous discussions on this blog about the epochÄ“ that are here as well. I’m dissatisfied as this last point I’ve neglected altogether in this description. At any rate, I’d better post.

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[1] "I belong to a generation of furniture makers to whom woodworking initially presented itself as a lost art from a more authentic time. When I turned my first clear pine board into a crade, and for many years thereafter, I was beguiled by rediscovering the how of the craft. How do you sharpen a chisel? How do you cut a sliding dovetail? How do you make a chair comfortable? Eventually, though, I also began to wonder about the why. What is craft and why does it matter? Why do we make things? Or, more specifically, why do we choose the spiritually, emotionally, and physically demanding work of bringing new objects into the world with creativity and skill?

The answers I have found -- through considering the work of my own hands, through the practical education of a life in craft and through the shared experiences of others -- all seem to lead back to one fundamental truth: we practice contemporary craft as a process of self-transformation." ~ Peter Korn. Why We Make Things and Why It Matters. David R. Godine: 2015, 7. Korn goes on to mention Robert Pirsig's Zen and the Art of Motorcycle Maintenance, Richard Sennett's The Craftsman, and Matthew Crawford's Shop Craft as Soulcraft.